Abigail Arunga has been a prominent figure in the Kenyan creative scene for the past 12 years. She is a versatile talent, known as a writer, author, editor, columnist, moderator, scriptwriter, social media manager, influencer, publicist, poet, copywriter, bookstore owner, quizmaster, podcaster, and MC.\u00a0<\/p>\n
She is also deeply passionate about the arts, pop culture, current affairs, and social justice.<\/p>\n
Her impressive portfolio includes serving as a scriptwriter for the award-winning soap opera \u2018Lies That Bind\u2019 and writing for M-Net shows such as \u2018Block D\u2019 and \u2018How To Find A Husband\u2019, as well as Showmax title \u2018Pepeta\u2019.<\/p>\n
Now, Abigail returns as the head writer for Showmax\u2019s latest adult drama, \u20184Play\u2019. This 18-rated series follows the lives of four friends navigating the complexities of love, friendship, and ambition in the vibrant city of Nairobi.<\/p>\n
Fusing humour, nightlife, and the quintessential grit of Nairobi, \u20184Play\u2019 gives viewers a bold, sexy, and authentic portrayal of contemporary Kenyan life.<\/p>\n
In an exclusive, Abigail shares more on the process of creating 4Play, finding her creative voice and tackling taboo topics on the show.<\/p>\n
What inspired you as a writer to join this ambitious project?<\/strong><\/p>\n The reason I came onto the show was wanting to show the men I knew on screen. I took inspiration from every man that I have interacted with in my lifetime \u2013 whether my brothers, cousins, or people I went to school with \u2013 each character has a little inspiration from the Kenyan men I know.\u00a0<\/p>\n I want more people to watch Kenyan shows, and if that\u2019s to happen, I need to write about Kenyans in a Kenyan way.<\/p>\n How was your experience developing 4Play in the writers\u2019 room?<\/strong><\/p>\n This show is different from any other project I have done before because I felt like I was kind of allowed to have a creative voice in terms of discussing adults, adult stories, and adult sensuality.\u00a0<\/p>\n A lot of our shows today have been kind of, not necessarily formulaic, but there\u2019s a lot of stuff that we have seen before.\u00a0<\/p>\n Not that it is a bad thing. I just believe there should be as many variations of a story as there can be. Sometimes it is fun to do something that has completely not been done.\u00a0<\/p>\n I have never seen a Kenyan show that\u2019s about four men just being themselves. So, this was fun to write.<\/p>\n 4Play could be interpreted as Kenya\u2019s answer to South Africa\u2019s \u2018Adulting\u2019. Is it true? What would you say about the comparisons?<\/strong><\/p>\n That is a funny question. I do understand the similarities \u2013 the provocativeness, the scandal, the raunchiness \u2013 but the similarity really ends at it being a show about four men. Therefore, the stories you will find in \u20184Play\u2019 are authentically Kenyan.<\/p>\n I love \u2018Adulting\u2019, but it\u2019s not like our show. Shout out to the creators! I admire how South Africa is bold in its storytelling. Here at home, we are very conservative, leaving our \u201cbedroom issues\u201d off-screen, and with \u20184Play\u2019 we were looking to blend both worlds and showcase how these issues also affect the outside world.\u00a0<\/p>\n I can\u2019t wait for the point when Kenyans will overcome that conservatism because we are bold, daring, colourful and sensual beings. And I want to see that on TV, and that was the show we were creating.<\/p>\n This is the second time you are collaborating with James Kombo after \u2018Pepeta\u2019. Tell us about this.<\/strong><\/p>\n Ironically, we conceptualised Pepeta and 4Play at the same time during a meeting we had in 2018. We had two ideas: one about football and one about men. We ended up developing them concurrently but ended up with Pepeta first.\u00a0<\/p>\n They are very different. Pepeta is based on a true story, which gives you a lot of material to work with.<\/p>\n Looking at \u20184Play\u2019, it is more about adult relationships in Nairobi and the rest of Kenya, while tackling taboo topics like sex work and addictions, which gave us a lot of room for imagination during the conceptualisation stage.<\/p>\n Being one of Showmax\u2019s 18-rated Kenyan originals, were there any risky creative decisions you made for \u20184Play\u2019? How did you balance pushing boundaries with appealing to a Kenyan audience?<\/strong><\/p>\n When we started, it was nice to work with a Commissioning Editor at MultiChoice who gave us leeway. We didn\u2019t have to make risky decisions upfront; instead, we did what we thought was risky and creative and figured out later if it would stay or not.\u00a0<\/p>\n We really tried to depict all kinds of things and iterations of Nairobi\u2019s underbelly \u2013 high-rise buildings, the nightlife, the club lifestyle, elite brothels, the escort business \u2013 showing all that we know exists but don\u2019t openly acknowledge.<\/p>\n Kenyans claim to be conservative, but they consume a lot of tabloid news and scandalous media. So even appeal-wise, we weren\u2019t thinking of targeting conservatives; we were being realistic about the story.<\/p>\n Who is your favourite character in \u20184Play\u2019 and why?<\/strong><\/p>\n Michael. He represents the typical Kenyan guy just trying to do the right thing. There\u2019s a sweetness and idealism in Michael that I really love; he wants to live in a world that doesn\u2019t exist, but he still tries.<\/p>\n I also enjoyed Miss Candy. The inspiration behind Miss Candy was that sex work is unnecessarily hidden. We know it exists \u2013 people are doing it. Let\u2019s just acknowledge it because sex work is work. This character has a job that\u2019s just like any other, with responsibilities and \u201cblack tax\u201d to pay.\u00a0<\/p>\n I wanted to show a character who is not just a sex worker but a layered person with a family, feelings, and challenges. It\u2019s interesting because people think certain types of work are better than others, but we\u2019re all just trying to live and be adults. So, I wanted to blur that line.<\/p>\n When you\u2019re not working on a set, how do you unwind?<\/strong><\/p>\n My friends probably make each day a little easier. And my bed \u2013 I think high school gave me some trauma, so I love being in bed because I wasn\u2019t allowed to be there long in high school (laughs). I also love reading books. I am currently reading The Understudy by David Nicholls.<\/p>\n What\u2019s next for Abigail?<\/strong><\/p>\n I want to do a couple of projects this year. I just co-directed my first short film, a dramedy about a girl who thinks she\u2019s dying for various reasons.\u00a0<\/p>\n I\u2019m also writing a short film on abortion \u2013 something Kenyan audiences shy away from. I want to continue telling stories that push boundaries.<\/p>\n 4Play is streaming on Showmax, with new episodes every Thursday.<\/p>","protected":false},"excerpt":{"rendered":" Abigail Arunga has been a prominent figure in the Kenyan creative scene for the past 12 years. She is a versatile talent, known as a writer, author, editor, columnist, moderator, scriptwriter, social media manager, influencer, publicist, poet, copywriter, bookstore owner, quizmaster, podcaster, and MC.\u00a0 She is also deeply passionate about the arts, pop culture, current […]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-105598","post","type-post","status-publish","format-standard","hentry","category-uncategorized","entry"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/chezaspin.com\/blog\/wp-json\/wp\/v2\/posts\/105598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chezaspin.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chezaspin.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/chezaspin.com\/blog\/wp-json\/wp\/v2\/comments?post=105598"}],"version-history":[{"count":0,"href":"https:\/\/chezaspin.com\/blog\/wp-json\/wp\/v2\/posts\/105598\/revisions"}],"wp:attachment":[{"href":"https:\/\/chezaspin.com\/blog\/wp-json\/wp\/v2\/media?parent=105598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chezaspin.com\/blog\/wp-json\/wp\/v2\/categories?post=105598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chezaspin.com\/blog\/wp-json\/wp\/v2\/tags?post=105598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}